VOSTOK VR PRESENTED ITS VISION OF METAVERSE DURING MEDIACORP FUTUREPROOF EVENTS

In October and November 2022 Mediacorp organized two large-scale events dedicated to media innovations, Web3 and Metaverse. Due to our long-term strategic partnership VOSTOK VR was invited among key speakers to share more on its experience in Web3 and Metaverse both for Government and Commercial companies.

Both events were huge success attracting hundreds of professionals from all over Singapore and ASEAN region. Our Head of Metaverse, Vitaliy Nechaev, was among the speakers and presented 5 typical business cases for businesses in Metaverse.

Vostok VR was recognised by KPMG in latest Real Estate Innovation Report

Happy to announce that Vostok VR was included into latest KPMG report on “Real Estate Innovation”. Our projects in VR/AR for Real Estate was highly recognized and helped us to be included as one of the leaders in this field.

Quote from KPMG:
”VostokVR had caught our attention in our search for innovations in the Real Estate and/or Construction sector. We are pleased to confirm that you have been selected and officially been included as one of the global innovations captured in our publication!”

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Innovating Virtual Reality TV, the Next Media Game Changer

Vostok VR is leading the way in storytelling by incorporating virtual reality in mainstream media.

In collaboration with Mediacorp, the award winning 360 degree film company created  a series of mobile accessible experiences that completely immerse the viewer in the midst of the popular TV crime drama, Missing.

Vostok VR founder Vitaliy Nechaev and team utilized innovative techniques to virtually place the audience alongside actors Pierre Png and Rebecca Lim as they solved mysteries across Thailand and Singapore.

The company is one of the few studios in Asia with the ability to create any type of VR moving shot. Twenty-two people were involved in the over 40 hours of filming for Missing VR, making it the largest VR production in South-East Asia.

At times, the crew used up to six different devices. For example, the combination of a rover, a wirecam and a dolly simulated an enhanced production value camera fly-through effect. Meanwhile, all action scenes were monitored with in-house developed live 360 streaming technology to enable the director and production team to monitor the full panorama in the media village.

Nechaev and crew navigated multiple challenges to authentically represent the plot and feel of the series. Multiple low-light scenes would not have been possible without Vostok VR’s high image quality FIDEL I cinematic camera. Extra attention was paid to location as some scenes were set over 20 years ago in the ever changing cityscape of Singapore. Binaural recording with special microphones created a natural feel and ambient environment.


Approximately 400 hours of post-production work shaped the more than 1 TB of recorded data into a series of 8 VR dramas that compliment the traditional 15 television episodes.

 “I believe that Missing VR is a stepping stone for Mediacorp to try new formats and to build proof-of-concepts that can be shared with other channels,” said Nechaev. The technology is currently being used by Vostok VR in other branded projects across Asia as the company prepares to collaborate with the Discovery Channel on educational content and Spanish avant-garde artist and cyborg activist Moon Ribas, as she explores humanity’s relationship with seismic activity.

Missing VR is available on the white-labeled Chameleon VR application currently accessed by tens of thousands of customers across South-East Asia. The content is aired alongside other company productions like Happyland360, a unique documentary featuring a Manila slum, and the short film Abandon, set in Bangkok.


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Vostok VR Focuses on South Korea with Government Support

Vostok VR is poised for significant expansion in South Korea. The virtual reality company’s growth in the region is aided by its participation in the K-Startup Grand Challenge 2017, an extremely selective competition that promotes collaboration between domestic and foreign startups.

“We were chosen out of more than 1500 global teams,” said Vlad Nechaev, the 360 cinematic film company’s Business Development Manager for South Korea. “We proved that it was the right decision to invite our team to come here.”

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The competing startup teams from 118 different countries vied for a space in the government’s technology startup incubator program. Vostok VR was chosen as one of the final 49 companies. Finalists received comprehensive support including initial funds, office space and visa assistance to facilitate their integration into the Korean ICT industry.

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With K-Startup Grand Challenge’s assistance, Vostok VR completed the OASIS program to obtain a visa for foreign startups and entrepreneurs. They went on to establish themselves as a Korean entity, and are currently engaging with brands, media agencies, content producers, and investors.

The company is embarking on undisclosed projects for the well-known global transportation technology company and fellow start-up, Uber, and has memorandums of understanding to launch pilot projects with Korean companies DoRUN Media and Banana Coding in January 2018.

By the end of the Seoul-based challenge, Vostok VR was chosen as a top 25 team. They will continue participation in the program as it enters its next stage, a coveted six months of business development and local talent hire support from the government.

Although Nechaev is pleased with the business development, contracts and success, he’s hesitant to sum up the benefits as that alone. “The most beautiful part of this experience is the time we spent in Korea getting to know the culture and people,” said Nechaev.

Nechaev added that Vostok VR looks forward to not only the next 6 months, but long-term involvement with the country for as long as it is helpful to the citizens.

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“Korea is really a great place to be if you are a VR film-maker. This country inspired the whole wave of cinematic & drama experiences throughout the Asia. A recent example of Korean storytelling we can see in 12-minute Korean VR Film “Bloodless” which won an award at Venice International Film Festival. So we see huge potential working here” he said.

VR X SMF Ignite Unites Virtual Reality Experts

This year’s Singapore Media Festival debuted VR X SMF Ignite, a full day conference organized for Virtual Reality (VR) and other immersive media thought leaders, technologists, and creators. Vitaliy Nechaev represented Vostok VR as managing and film director and served as a panel speaker.

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The panel, titled Players of the Ecosystem, offered an insider’s perspective to the nature of industry partnerships, including those vital to a content concept, creation, and circulation.

Conference presenters hailed from Singapore, France, Geneva, Seoul and the USA. Notable speakers included Lucasfilm’s ILMxLAB creative director and visual effects supervisor Mohan Leo; founder and CEO of Ultimate Creators Create Virtual Reality (UCCVR) Allen Foo; and VR Consultant and Post Production Specialist of the 360-degree cinematic company, Neotopy, Alexandre Regeffe. Topics ranged from the entertainment focused, such as Star Wars related sneak peeks, to the more pragmatic like emerging markets and industry expansion or monetization.

The conference, which took place on Wednesday, November 29 at Marina Bay Sands, was organized by the Infocommunications Media Development Authority of Singapore (IMDA) and included a 3-day exhibition of VR content and technology alongside Asia TV Forum and Market.

As Southeast Asia’s top developer of interactive experiences in VR company presentations, sales, product launch, market activation and trainings, Vostok VR held a key presence at the event. “It was a great opportunity to interact and discuss ideas with people from the same field. We met many media companies across the Asia who were interested in adding VR content to their TV productions” said Nechaev.

Virtual Reality Drama Series Comes to Asia, Thanks to Vostok VR

Virtual reality firm Vostok VR is producing Asia’s first large-scale VR drama in partnership with Mediacorp.

Top Singaporean actors Rebecca Lim and Pierre Png star in the Channel 5 English language drama, Missing. Filming took place in Singapore and Thailand as Lim and Png’s characters search for missing family members in both countries.

The 360 cinematic video company will produce eight episodes of the project in virtual reality format to accompany 15 two dimensional episodes.

“The VR segments compliment the 2D content by providing a unique view of the series in addition to exclusive scenes,” said Vostok VR managing director, Vitaliy Nechaev.

Filming of the VR series included an unprecedented large scale crew of 20 people for over 40 hours of production and resulted in over one TB of raw footage.

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Viewers who are keen to watch will have to wait until December 2017 for the virtual reality trailer and February 2018 for both the 2D and virtual reality video. The VR video will premiere exclusively on Vostok VR’s Chameleon VR for mobile devices and Mediacorp's Toggle 360 for personal computers.

PHD MERGE Event Features Vostok VR and Cyborg Artist

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Vitaliy Nechaev, director of 360 video production company Vostok VR, appeared alongside Spanish artist, cyborg and activist Moon Ribas at the Singapore LinkedIn headquarters on Friday September 29, 2017.

Both were in attendance to celebrate the launch of PHD’s MERGE | The closing between technology and us. The publication is the media planning agency’s 2017 thought leadership piece on the future of technology and humanity.

 

The virtual and biological merging of human and machine is already visible as users become more reliant on their smartphones and adopt wearables that seamlessly integrate into bodies. The unity of people and technology is expected to continue at a breakneck speed, vastly changing society’s daily operations and needs. In the event’s panel discussion, Nechaev, Ribas and tech-based marketing experts explored what this continued evolution means for the future of art, brands and media.

Moon Ribas and Vostok VR have recently collaborated on a Virtual Reality Film project launching at Mumbrella360 in Singapore and on Chameleon VR, a 360 cinematic video library and app.